NANDAN GHIYA
b. 1980 in Rajasthan, India. Lives and works in Rajasthan, India. Nandan Ghiya is a young and emerging artist from India. With no formal training, he has become recognized for his experimental art using a combination of photographs, paints and other found items. Through his work, he wishes to distort perception and to explore the effects that digital technology has on indigenous cultures and personal identities. Ghiya's art presents the tensions between a culturally rich country and a rapidly globalizing world.
Hung Liu, Maya Hewitt, Carol Lee Mei Kuen, Li Wei, Huang Rui, Bui Cong Khanh, Dinh Q. Lê, Nandan Ghiya, anothermountainman, Cang Xin, Chan Dany, Ko Siu Lan, Marques de Jadraque, Atul Dodiya, Sutee Kunavichayanont, Frog King, Htein Lin, Ma Desheng, Liang Hao
04 Nov, 2021 - 28 Jan, 2022
10 CHANCERY LANE GALLERY CELEBRATES ITS 20TH ANNIVERSARY WITH AN EXHIBITION OF 44 ARTISTS
John Young, Wang Keping, Sonia Mehra Chawla, Bui Cong Khanh, Dinh Q. Lê, Nandan Ghiya, The Propeller Group, Ai Yamaguchi
20 - 22 Sep, 2013 10 Chancery Lane Gallery
10 Chancery Lane Gallery is participating to Sydney Contemporary 13. Come and visit us at booth D114 where we will be presenting works by: Ai Yamaguchi, Bui Cong Khanh, Dinh Q. Lê, Nandan Ghiya, Sonia Merhra Chawla, The Propeller Group and John Young.
01 - 17 Aug, 2013 10 Chancery Lane Gallery
10 Chancery Lane Gallery invites you to HOT SUMMER NIGHTS Group Exhibition
Showing: NANDAN GHIYA, HUANG RUI, PAN JIAN, WANG KEPING, and JOHN YOUNG.
Join us at the opening reception on Thursday, 01 August, 2013 6:30-8:30pm
Exhibition runs until 17th August, 2013.
Works can be viewed on www.10chancerylanegallery.com
Showing: NANDAN GHIYA, HUANG RUI, PAN JIAN, WANG KEPING, and JOHN YOUNG.
Join us at the opening reception on Thursday, 01 August, 2013 6:30-8:30pm
Exhibition runs until 17th August, 2013.
Works can be viewed on www.10chancerylanegallery.com
01 - 17 Nov, 2012 10 Chancery Lane Gallery
Emerging Indian artist Nandan Ghiya believes that any arrangement of form and space defines individual, cultural, geographic or economic identities. In his first Hong Kong solo exhibition, the artist invites participants to pose against a constructed space, which has been created using pixelated vinyl-print cut-outs of photography studio objects like a chair or a flower bouquet. The interaction of the participants within the constructed space is an interpretation of the artist as he weaves the ever-expanding sensory world he experiences as an artist into reality.
