DINH Q. Lê
b. 1968, Hà Tiên, Vietnam. Lives and works between Ho Chi Minh City, Vietnam and Los Angeles, USA. Internationally acclaimed artist Dinh Q. Lê was born in Vietnam and immigrated to the US at the age of ten to escape the Khmer Rouge. Lê is best known for his large-scale photographic weavings and video works that question the way in which world events are perceived. Inspired by traditional Vietnamese grass mat weaving, Lê weaves images chosen from a variety of motifs including the Vietnam War and Cambodian ruins. A deeply-thoughtful artist, Lê’s research focuses on people’s personal memories of historical events, notably on the complex legacy of the Vietnam War and it’s ongoing impact on contemporary Vietnam.


The LOVE THE DREAM exhibition
04 Nov 2021
Private View: 4/11/2021
Open To Public: 5/11/2021 - 28/1/2022
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Open To Public: 5/11/2021 - 28/1/2022

Art Basel Hong Kong 2018 Booth 1D35
29 Mar 2018
10 Chancery Lane Gallery proudly present artworks from Wang Keping, Huang Rui, Dinh Q. Le and Frog King at Booth 1D35, 29 Mar - 31 Mar, 2018
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SKIN ON SKIN, Dinh Q. Lê Solo Exhibition
22 Mar 2018
Vietnamese artist Dinh Q. Lê creates a new series of woven photographs entitled Skin On Skin, exploring the sexual revolution in Vietnam through the internet. The work investigates the factors driving society's moral attitude toward sexuality and the liberation of former stigmas.
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Art Basel Hong Kong 2017 Booth 1D35
23 Mar 2017
10 Chancery Lane Gallery will exhibit a dual presentation of artwork by acclaimed Chinese artists Shi Guorui and Wang Keping at Booth 1D35, as well as an installation by Vietnamese artist Dinh Q. Lê at Encounters Section 5.
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10 CHANCERY LANE GALLERY at ART BASEL HONG KONG 2015
12 Mar 2015
10 Chancery Lane Gallery will be showing at Art Basel Hong Kong 2015 (15 - 17 March 2015)
Booth 1D38 and Encounters 3
10 Chancery Lane Gallery will exhibit works from the 1970s by Hong Kong artist Frog King (Kwok Mang Ho), and the 1980s by Chinese artists Huang Rui and Wang Keping. Three defining artists from Hong Kong and China! They are joined by important Vietnamese artist, Dinh Q. Le whose work will be featured in a major retrospective at the Mori Museum in the Summer of 2015.
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Booth 1D38 and Encounters 3
10 Chancery Lane Gallery will exhibit works from the 1970s by Hong Kong artist Frog King (Kwok Mang Ho), and the 1980s by Chinese artists Huang Rui and Wang Keping. Three defining artists from Hong Kong and China! They are joined by important Vietnamese artist, Dinh Q. Le whose work will be featured in a major retrospective at the Mori Museum in the Summer of 2015.

The Roving eye: Contemporary Art from Southeast Asia
15 Sep 2014
THE ROVING EYE
Contemporary Art from Southeast Asia
Curated by Iola Lenzi
17 September 2014–4 January 2015
From 17 September on, ARTER will host a large curated exhibition of Southeast Asian contemporary art for the first time in Turkey. Entitled “The Roving Eye: Contemporary Art from Southeast Asia” and curated by researcher and critic Iola Lenzi, the exhibition will present 40 works by 36 of Southeast Asia’s most innovative contemporary artists from Indonesia, Thailand, the Philippines, Singapore, Myanmar, Cambodia, Vietnam and Malaysia.
As well as introducing forms, materials, conceptual methodologies, and aesthetic codes commonly featured in the artistic production of the region, the exhibition will offer critical insights into today’s regional culture and the many tensions cleaving the societies of Southeast Asia. In particular, The Roving Eye argues multiple points of view on self and society as a central canon of Southeast Asian contemporary art.
The Roving Eye will feature installations, videos, sound pieces, photography and performances, a number of which were especially commissioned for the exhibition. The exhibition will place particular emphasis on works that embrace experience, interactivity and participation.
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Contemporary Art from Southeast Asia
Curated by Iola Lenzi
17 September 2014–4 January 2015
From 17 September on, ARTER will host a large curated exhibition of Southeast Asian contemporary art for the first time in Turkey. Entitled “The Roving Eye: Contemporary Art from Southeast Asia” and curated by researcher and critic Iola Lenzi, the exhibition will present 40 works by 36 of Southeast Asia’s most innovative contemporary artists from Indonesia, Thailand, the Philippines, Singapore, Myanmar, Cambodia, Vietnam and Malaysia.
As well as introducing forms, materials, conceptual methodologies, and aesthetic codes commonly featured in the artistic production of the region, the exhibition will offer critical insights into today’s regional culture and the many tensions cleaving the societies of Southeast Asia. In particular, The Roving Eye argues multiple points of view on self and society as a central canon of Southeast Asian contemporary art.
The Roving Eye will feature installations, videos, sound pieces, photography and performances, a number of which were especially commissioned for the exhibition. The exhibition will place particular emphasis on works that embrace experience, interactivity and participation.

Dinh Q. Lê and The Propeller Group, Seoul Media City Festival, Seoul, 2 September – 23 November 2014.
29 Aug 2014
Dinh Q. Lê and The Propeller Group will be presenting their works at SeMA Biennale Mediacity Seoul 2014: Ghosts, Spies, and Grandmothers - 2 September–23 November 2014 - Artistic Director: Park Chan-kyong
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Dinh Q. Lê at the Gwangju Bienale, Gwangju, South Korea, 5 September – 9 November 2014
28 Aug 2014
The 10th Gwangju Biennale: Burning Down the House explores the process of burning and transformation, a cycle of obliteration and renewal witnessed throughout history. Evident in aesthetics, historical events, and an increasingly rapid course of redundancy and renewal in commercial culture, the Biennale reflects on this process of, often violent, events of destruction or self-destruction―burning the home one occupies―followed by the promise of the new and the hope for change.
The exhibition is curated by Jessica Morgan, Artistic Director of the Gwangju Biennale and The Daskalopoulos Curator, International Art, Tate Modern. FatosUstek and Emiliano Valdes are Associate Curators for the Biennale, EnnaBae is Associate Curator for Performance and Teresa Kittler is Assistant Curator.
For more information, please visit: http://www.gwangjubiennale.org/eng
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For more information, please visit: http://www.gwangjubiennale.org/eng

DINH Q. LE: CROSSING THE FARTHER SHORE @ Rice Gallery, University of Texas
11 Apr 2014
Dinh Q. Lê is planning an ambitious, architectural installation of black and white photographic ephemera taken from the Vietnam War era, pre-1975. He has collected these photographs over the years that are often similar to the images that might fill a family’s photo album: portraits, scenic vistas, snapshots from events, etc. They are stitched together in monumental grids and paired with text handwritten on the back of the photographs. Specific recollections of the Vietnam War era have been chosen by Dinh Q. Lê from oral history interviews, including those conducted by Rice University’s Chao Center for Asian Studies with Houston’s Vietnamese community, the second largest outside of California. The large photo assemblages will be hung from the ceiling to create ethereal, cube-like structures inspired by the rectangular mosquito nets used in Vietnam. Dinh Q. Lê characterizes the gesture as a “sleeping, dreaming memory of Vietnam.”
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ART WALK 2014
10 Mar 2014
ART WALK 2014
An evening of art, food and drinks organised with Hong kong art galleries and benefiting The Society for Community Organisation (SoCO).
Wednesday 12 March, 4.30pm - 11.30pm
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An evening of art, food and drinks organised with Hong kong art galleries and benefiting The Society for Community Organisation (SoCO).
Wednesday 12 March, 4.30pm - 11.30pm

DISRUPTED CHOREOGRAPHIES
19 Feb 2014
Disrupted Choreographies weaves eight contemporary voices from Vietnam who propose alternate narratives between colonial histories, collective behavior, systems of class and the crumbling of ideological thought.
This exhibition challenges the relationship between Vietnam and the ‘global’ stage, illustrating an artistic community critical of the historical consciousness that often stands in for its name (ie. the guilt of war; the tourist getaway; the nostalgic colonial).
The artists in this exhibition juxtapose historical event and social phenomena; relevant to the diasporic contexts they conceptually and physically traverse. Their dance in the residual space of failing ideologies, post-industrialized communities, heterotopias and the ramification of representation are careful artistic choreographies that they understand are in cyclical movement, ie. in repeat.
Participating artists: Lena Bui; Tiffany Chung; Dinh Q Lê; Jun Nguyen-Hatsushiba; Nguyen Huy An; Nguyen Thai Tuan; Nguyen Trinh Thi and ‘The Propeller Group’
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This exhibition challenges the relationship between Vietnam and the ‘global’ stage, illustrating an artistic community critical of the historical consciousness that often stands in for its name (ie. the guilt of war; the tourist getaway; the nostalgic colonial).
The artists in this exhibition juxtapose historical event and social phenomena; relevant to the diasporic contexts they conceptually and physically traverse. Their dance in the residual space of failing ideologies, post-industrialized communities, heterotopias and the ramification of representation are careful artistic choreographies that they understand are in cyclical movement, ie. in repeat.
Participating artists: Lena Bui; Tiffany Chung; Dinh Q Lê; Jun Nguyen-Hatsushiba; Nguyen Huy An; Nguyen Thai Tuan; Nguyen Trinh Thi and ‘The Propeller Group’

SCREENING OF LIGHT AND BELIEF BY DINH Q. LÊ @ AAA, HONG KONG
02 Sep 2013
Light and Belief (2012) by Dinh Q. Lê, commissioned by documents (13) - Screening followed by a discussion between Dinh Q. Lê with director in English
Fri 6 September 2013, 6.30pm, A Space, Asia Art Archive, 10/F, Hollywood Centre, 233 Hollywood Road, Sheung Wan
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Fri 6 September 2013, 6.30pm, A Space, Asia Art Archive, 10/F, Hollywood Centre, 233 Hollywood Road, Sheung Wan

DING Q. LÊ' AND THE PROPELLER GROUP AT SAN FRANCISCO MOMA
05 Sep 2012
Six Lines of Flight : Shifting Geographies in contemporary Art @ San Francisco Museum of Modern Art.Exhibition dates: 15 sept – 31dec 2012.
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DING Q. LÊ'S ERASURE REVIEWED IN THE WALL STREET JOURNAL
08 Aug 2012
Read The Article by Louise Wong for The Wall Street Journal, 7th of August 2012.
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LAST DAYS TO VISIT "ERASURE" BY DING Q. LÊ
08 Aug 2012
Don't miss the chance to see the exhibition before Sunday the 12th August!
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ARTASIAPACIFIC ONLINE REVIEW: ERASURE BY DINH Q. LÊ
20 Jul 2012
Web Review BY Miryam Rodriguez
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"IN OCEAN OF LOSS, VIETNAMESE AMERICAN ARTIST DINH Q. LÊ MAPS THE REFUGEE EXPERIENCE"- ARTINFO HONG KONG
04 Jul 2012
"An Ocean of Loss, Vietnamese American Artist Dinh Q. Lê Maps the Refugee Experience" by Xue Tan, ARTINFO Hong Kong
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DING Q. LÊ, "ERASURE" AT 10 CHANCERY LANE GALLERY ART PROJECTS, CHAI WAN UNTIL 12 AUG,2012
20 Jun 2012
Erasure by Dinh Q. Lê at 10 Chancery Lane Gallery Art Projects, Chai Wan will be extended to 12th August, 2012.
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REVIEW ON "ERASURE" IN HONG KONG ECONOMIC JOURNAL, 13/6/2012
13 Jun 2012
"Erasure" Review in Hong Kong Economic Journal
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ANNOUNCING 10CLG ARTISTS AT DOCUMENTA(13), KASSEL, GERMANY
09 Jun 2012
10 Chancery Lane Gallery is proud to announce the participation of gallery artists Dinh Q. Lê / Sopheap Pich / Vandy Rattana in dOCUMENTA (13)
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GUIDED TOUR AND TALK FOR ERASURE [9TH JUNE,2012]
05 Jun 2012
Please join us this Saturday at 4pm at the guided tour and talk for ERASURE, at 10 Chancery Lane Gallery Art Projects, Chai Wan.
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10 CHANCERY LANE GALLERY AT ART HK 12 (1F12)
17 May 2012
10 Chancery Lane Gallery is showing at ART HK 12, booth 1F12
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