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Spacious
Tuan Andrew Nguyen, Wang Keping, Huang Rui, Bui Cong Khanh, The Propeller Group, Frog King, Htein Lin, Laurent Martin "Lo", Anton Poon, Koshimizu Susumu, Robert Rauschenberg, Nobuo Sekine, Kishio Suga, Adejoke Tugbiyele, Wang Du, 15 November 2022 - 14 January 2023

Spacious: Tuan Andrew Nguyen, Wang Keping, Huang Rui, Bui Cong Khanh, The Propeller Group, Frog King, Htein Lin, Laurent Martin "Lo", Anton Poon, Koshimizu Susumu, Robert Rauschenberg, Nobuo Sekine, Kishio Suga, Adejoke Tugbiyele, Wang Du

Past exhibition
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Open a larger version of the following image in a popup: Tuan Andrew Nguyen, Magic and Mayhem, 2018
Open a larger version of the following image in a popup: Tuan Andrew Nguyen, Magic and Mayhem, 2018
Open a larger version of the following image in a popup: Tuan Andrew Nguyen, Magic and Mayhem, 2018
Open a larger version of the following image in a popup: Tuan Andrew Nguyen, Magic and Mayhem, 2018

Tuan Andrew Nguyen

Magic and Mayhem, 2018
Polyurethane for rhino skull and narra padauk wood for dragon carving
Original Sizes Available:
73 x 35 x 75 cm

Further images

  • (View a larger image of thumbnail 1 ) Wang Du, China Daily 7, 2004
  • (View a larger image of thumbnail 2 ) Wang Du, China Daily 7, 2004
  • (View a larger image of thumbnail 3 ) Wang Du, China Daily 7, 2004
  • (View a larger image of thumbnail 4 ) Wang Du, China Daily 7, 2004
View on a Wall
Standing majestically, The Magic and Mayhem is a sculpture of two halves. Nguyen has grafted together the head and body of a dragon, hand-carved in wood by traditional Vietnamese carvers,...
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Standing majestically, The Magic and Mayhem is a sculpture of two halves. Nguyen has grafted together the head and body of a dragon, hand-carved in wood by traditional Vietnamese carvers, and the horn of a black rhino taken from actual 3D scans and cast in ceramic.

This mystical being visually represents the two sides of the ideology and consumption debate, whilst the use of both traditional and modern production techniques within one artwork are a reminder of how past and present ideologies can inform those of the future.

There are beliefs in Vietnam originating from centuries of ideas in traditional Chinese medicine that consuming rhino horn can cure cancer as well as other illnesses. This has created a global environmental emergency regarding the rhinoceros population across the world, having the most impact specifically in South Africa. Tons of illegal rhino horns from South Africa have been seized en route to Vietnam and China in recent years. As well. Rhinos have recently become extinct in Vietnam.

This mystical being visually represents the two sides of the ideology and consumption debate, whilst the use of both traditional and modern production techniques within one artwork are a reminder of how past and present ideologies can inform those of the future.
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Exhibitions

2022-SPACIOUS, A Sculpture Exhibition
2018 Tuan Andrew Solo
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  • Kishio Suga

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