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He Mingyi, Rina

He Mingyi, Rina

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Open a larger version of the following image in a popup: He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
Open a larger version of the following image in a popup: He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
Open a larger version of the following image in a popup: He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
Open a larger version of the following image in a popup: He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
Open a larger version of the following image in a popup: He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024

He Mingyi, Rina

Concrete Entrapment and the Bird of Paradise, 2024
Color on paper, ink on wood board, carved wood, candlenut, sand, pot
Painting: 207 × 231 cm, potted Seeds: 59 × 42 cm

Further images

  • (View a larger image of thumbnail 1 ) He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
  • (View a larger image of thumbnail 2 ) He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
  • (View a larger image of thumbnail 3 ) He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
  • (View a larger image of thumbnail 4 ) He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
  • (View a larger image of thumbnail 5 ) He Mingyi, Rina, Concrete Entrapment and the Bird of Paradise, 2024
He Mingyi, Rina (b.1999, Guangdong, China) recently received her Bachelor of Fine Arts from The Chinese University of Hong Kong. He Mingyi, Rina primarily researches modern ink painting and mixed...
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He Mingyi, Rina (b.1999, Guangdong, China) recently received her Bachelor of Fine Arts from The Chinese University of Hong Kong. He Mingyi, Rina primarily researches modern ink painting and mixed media creations. She often adopts natural materials such as wooden boards, plant seeds, and clay as art medium, and utilizes the unique properties of these materials to express the mystery and power of nature. Centred around her observations of the city, nature, and life, she integrates ink and natural media, seeking a balance within the interacting changes between the ink traces and the materials. Her works embody a subtle fusion of human intervention and the forces of nature, and this organic uncertainty imbues the artworks with vitality. They often feature a coexistence of abstraction and realism, rationality and emotionality, transforming her observations of everyday urban life to present the audience with a distinctive visual experience. In addition to exploring nature and life, her works also reflect her contemplation on the relationship between humanity and the natural world.
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