Jocelyn Tsui (b.2002, Hong Kong) recently received her Bachelor of Fine Arts from Parsons School of Design, New York and will be pursuing an MFA in Painting / Printmaking from Yale School of Art. Tsui's printmaking practice, particularly her use of risograph printing, draws inspiration from British author and philosopher Sadie Plant's exploration of technology's impact on society and culture. Tsui tells her stories of growing up in Hong Kong where everyone moves body-to-body through the process of pressure pushing materials into flatness. The work presented "Analog Glitch" is a compelling artist's book created through a process of printing, cutting, and folding. The meticulous nature of the process mirrors the human desire for order and control, while the inherent imperfections and glitches in the work reflect the anxieties and uncertainties of a technologically driven world. Tsui's work references Legacy Russell's concept of the glitch as an indicator of something gone wrong, highlighting the pervasive presence of glitches in our lives—on paper, on screen, in our bodies, and in machines.